Mic Inputs

Mic inputs 1 / 2
Type	2 x XLR jacks, balanced
Mic E.I.N. (20 Hz to 20 kHz)	-129 dBu, A-weighted
Distortion (THD+N)	< 0.004%, A-weighted
Max. input level	+20 dBu
Impedance	10 kΩ balanced, 5 kΩ unbalanced
Mic inputs 3 / 4
Type	2 x XLR / 1/4″ TRS combo jacks, balanced
Mic E.I.N. (20 Hz to 20 kHz)	-117 dBu, A-weighted
Distortion (THD+N)	< 0.01%, A-weighted
Max. input level	XLR: +6 dBu   TRS: +26 dBu
Impedance	XLR: 2 kΩ balanced, 1 kΩ unbalanced   TRS: 20 kΩ balanced, 10 kΩ unbalanced
Gain range	-20 dB to +60 dB
Phantom power	+48 V, switchable (inputs 1 / 2 only)

Line Inputs

Type	2 x 1/4″ TRS jacks, balanced (channels 5L / 7L)
Impedance	20 kΩ balanced, 10 kΩ unbalanced
Gain range	-20 dB to +60 dB
Distortion (THD+N)	0.005%, A-weighted, 0 dB gain, 0 dBu out
Max. input level	+22 dBu

Guitar (Hi-Z) Inputs

Type	2 x 1/4″ TRS jacks, balanced (channels 6R / 8R)
Impedance	2 MΩ balanced, 1 MΩ unbalanced
Distortion (THD+N)	0.005%, A-weighted, 0 dB gain, 0 dBu out
Max. input level	+19 dBu

Channel EQ

Low	±15 dB @ 20 Hz, shelving
Low mid	±15 dB @ 300 Hz
High mid	±15 dB @ 1.5 kHz
High	±15 dB @ 20 kHz, shelving

Monitor Outputs

Type	2 x 1/4″ TRS jacks, balanced
Impedance	75 Ω, balanced
Max. output level	+14 dBu

Main Outputs

Type	2 x XLR jacks, balanced
Impedance	150 Ω, balanced
Max. output level	+14 dBu

Phones Output

Type	1 x 1/4″ TRS jack, stereo
Max. output level	+18 dBm / 40 Ω

Footswitch Input

Type	1 x 1/4″ TRS jack (tip / ring normally open)
Function configurable	FX mute / Tap tempo or Snapshot load next / previous

Input / Output and Processing

Frequency range	10 Hz to 22 kHz (+0/-1 dB)
Dynamic range, analog in to analog out	Typ. 108 dB
I/O latency	0.6 ms
Signal processing	32-bit VFP (Vector Floating Point)
A/D – D/A conversion	24-bit / 48 kHz
Dynamic range	114 dB
Number of input processing channels	10 input channels, 4 fx return channels

USB Audio Interface

Interface type	USB 2.0
Connector	Type B
Bit depth	24-bit / 48 kHz
Channels	10 out / 2 in

Bluetooth

Frequency range	2402 MHz ~ 2480 MHz
Channel number	79
Version	Bluetooth spec 4.0 compliant
Compatibility	Supports A2DP 1.2 profile
Max. communication range	12 m (without interference)
Max. output power	8 dBm

Power Supply / Voltage

Connector	Micro-USB
Power supply	5 VDC 2A
Power consumption	Max. 10 W (typ. 5 W)

Dimensions / Weight

Dimensions (H x W x D)	48 x 229 x 172 mm (1.9 x 9.0 x 6.8″)
Weight	1.4 kg (3.1 lbs)

Digital Mixing with Ease

Digital mixers offer studio quality processing, the highest fidelity, the ability to recall all settings and even remote operation. Those are hugely attractive features, but they all come at a cost – with bigger physical size and more complex operation requiring at least some degree of technical audio education.

The millions of analog small format mixers that Behringer has built over the years clearly tell us that there are many users who need a mixer that is compact, affordable, dependable and easy to operate.

Typical applications very often just need to balance the level of a handful of sources. So, why make things more complicated than they need to be? It is time for something genuinely new, providing modern features and workflows to everyone in a simple and compact form – it is time for FLOW 8 digital mixing.

EZ-GAIN Assisted Gain Staging

Have you ever heard someone say, “you need to pay attention to your gain staging?” Do you know what the “gain structure” is about? When you are interested in clean and healthy signals, with low noise and low harmonic distortion then adjusting the right amount of preamp gain is paramount. It is defining the amount of amplification a signal gets when entering the mixer. Since source signals can be anything from a strong hit on the snare drum, to the subtle hum of bees, there is not one gain that fits all possible purposes.

Gain staging is always a compromise and finding the right one requires either experience and technical knowledge, or the new FLOW 8 EZ-GAIN feature. The function can monitor signals on one or all channels at the same time, until you think the loudest sounds have been put to it. EZ-GAIN will then automatically adjust the channel gain to the optimum headroom.

Oh, by the way, EZ-GAIN will automatically engage the 48 V phantom power on mic inputs 1 or 2 when no signal is detected, just in case you forgot to do that.

Full App Remote Control

Let’s face it, small mixers are more often placed where cables end, rather than in a position where it would be most useful for controlling the mix. You may have to stretch out for controlling levels or walk away from the mixer to judge if your adjustment has the desired effect. No longer!

FLOW 8 mixers offer full remote control from basically any Android or iOS device, giving you the freedom to go exactly where the sound is ideal for making any sort of adjustment. Tweak the 9-band EQ for the main PA speakers, set the compressor on the bass guitar or adjust the mix for the talents on stage.